Toro y Moi’s “Ordinary Pleasure” (Outer Peace, 2019)

By Mina Wiebe

Oddly enough, this funky tune pulls you in with bongos—yes, bongos—before layering the beats with basslines. I was unsure how to feel at first, mainly because I was confused; it felt like a hippie drum circle had been interrupted by some groovy, 70’s disco band. But within seconds the rhythms became cohesive, and suddenly the two instruments thrived off one another.

The song is a toe-tapper at the very least, and I wouldn’t put it past listeners to want to dance to this bubbly tune. But labeling it as a mere “dance-song” doesn’t quite feel complete. The bounciness of the bass paired with the smooth and cool vocals of Chaz Bear (also known by his stage name Toro y Moi) creates this strange yet fascinating strain that is simultaneously upbeat and laid-back.

Sure, it’s a song you can dance to (my mind immediately imagines John Travolta in “Saturday Night Fever” doing his disco finger dance—you know the one I’m talking about) but it’s also a song I’d be content to listen to on a road trip or a casual hangout with friends over drinks.

The seemingly effortlessness behind Bear’s satiny voice makes you listen to the lyrics. The repetitive “Maximize all the pleasure, even with all this weather/ Nothing can make it better” initially confirms the idea that it’s strictly a dance-song; the singer himself is telling you to maximize your pleasure, and as the perky bass plays you can’t help but take pleasure in dancing along.

But as Bear’s smooth voice continues to earn your attention, the singer delves into some deeper topics when he examines a contemporary world that is too loud and “[m]akes it hard for [him] to feel what [he’s] thinking”. When you actually listen to the lyrics, you almost question if you should be dancing to it.

I can’t tell if Bear is telling us to ignore dark feelings by maximizing our pleasure, or if he believes the two simply coexist as a part of our reality. Regardless, the track seems to embrace a disenchanted world with an optimism relayed through disco.

Toro y Moi, “Baby Drive It Down” (Outer Peace, 2019)

By Allesandro Rotondi

I first took a liking to this song because I thought it didn’t sound like dance/pop music, as opposed to many other tracks on the album. Rhythmically, it grooves like a dance tune, and the instrumental loops like a dance tune, but it sounds like a chillwave-synthpop song. The marimba-sounding synthesizer part loops and dances around the pulsing kick drum beat that drives the song forward and acts as the backbone. The marimba sound is light and fluffy, constantly fluttering in the foreground. It gives off a tropical vibe, like something off the Super Mario Sunshine soundtrack. Because of this, it makes me happy, and gives me feelings of childhood nostalgia.

The lead vocals are strong, but cool. Stacked with two layers of voice, the melody comes off as thick, but smooth in execution. There is also autotune, which is popular in modern pop music, and the hip-hop and dance genres particularly. The repetitious line that clamours “You know I want you right now” for the entirety of the choruses, thrusts this track into the dance/pop genre, noted for its looping instrumentally, melodically, and lyrically. However, it is not forced. It feels intended by the artist, and perhaps this voiced repetition is because he really wants the object of affection to know he means business. I want you, like, right now. The auto-tune and double tracked vocal almost create an unnatural, robotic feel, like a love song from a free-thinking machine.

Since the marimba loop is unchanging, the droning bass tones are the only musical element that can change the chord root. With two or three chords total at best (“Moves Like Jagger”, anyone?), Toro y Moi does a fine job of crafting a well-landscaped, memorable, and interesting vocal melody. It’s one of the best melodies over a simple dance/pop progression that I’ve heard in a long time.

“Baby Drive It Down” definitely drives it home.